Elaine Nolan is that rare
multi-dimensional artist who moves easily from heavenly fine art to the meditative
Earth below. She is a classically trained musician and singer, as well as an award-winning
Hailing from Co Laois, Ireland, Nolan was also prima cellist in the Celbridge Concert Orchestra, and has appeared with the Carlow Youth Orchestra and the Kildare County Orchestra. She is also a pianist and plays classical guitar and is learning the viola. She's sung as a soprano and a tenor with the Carlow Choral Society, the Wexford Festival Singers, and the Celtic Philharmonic Choir and recorded four albums as a member of the Irish Philharmonic Choir and performed with the group at Carnegie Hall.
No strict classicist, however, Nolan’ latest release is To Sleep Beneath The Stars , an album of earthy and graceful meditation music that's soft, compelling, and perfectly human. As a composer, she is daring enough to mix her classical and Celtic influences with electronic sounds (Cel-Techno, anyone?), a feat that would prove difficult to do effectively for most musicians. Nolan, however, pulls it off with her usual elegance and grace. She has performed her debut work “Non Nobis”, a 3-part soprano work in April 2011, followed by her debut concert September 2012 and more recently “A Rebel’s Heart”, a 1916 Commemoration concert as part of Kildare County Council’s Commemoration Programme.
She is a graduate of Trinity College Dublin and the Open University and has won the Cecil Day Lewis Literature Award. Her latest book is the sci fi tale Evolved 2.0: Vortex and was released in March, 2017. Other titles by Elaine include Red Hot Summer and Of Heroes And Kings . Each novel, of course, has an accompanying soundtrack composed by Nolan, as well. She is also studying to become a Sound Healing Practitioner.
The connecting thread running through Nolan’s body of work is her ability to make fine art that conveys her basic humanity to her audiences. No ivory tower recluse, her realness and emotion both expand beyond the bounds of the classical crowd and take up residence in the hearts and minds of any and all who encounter her work, whether musically or in print. Her stock in trade is the immediacy of the culture she creates and is exactly the kind of stuff of which careers are made.
Bio written by Mike O'Cull (Independent Music Reviewer)